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La Paloma Prisoner Project- Prison Performance, Publication, Hi- Arts and Conference Engagement

Photo credit: Bobby Plasencia


(Multifaceted theatre and outreach)

La Paloma Prisoner Project is a multi-faceted theatre and outreach project about the reclamation of identity by incarcerated and formerly incarcerated women in the prison system.

The play is based on the true story of incarcerated women at the Buen Pastor prison in Bogota, that I visited in 2010, interweaves the ritualistic journey of Colombia’s social, political, and spiritual history; also based on my arts facilitation for women in maximum-security prisons/ youth in Rikers Island.

For a decade this project has taken the form of play presentations, panels, conferences, activist demonstrations, advocacy think tanks, workshops and community partnerships with orgs dedicated to serving impacted people.

La Paloma Prisoner is a multi-disciplinary play about the reclamation of identity by women in the Colombian prison system. Based on the true story of a group of incarcerated women selected as beauty queen contestants at the Buen Pastor prison in Bogotá, this new play interweaves the ritualistic journey of a “parade of prisoners” within Colombia’s social, political, and spiritual history. The play centers on an infamous woman nicknamed “La Paloma” who transcendentally soars beyond physical and societal barriers to avenge the raped women of Bogotá. Her actions revolutionize the women’s lives, Bogotá’s prison society, and the world beyond its walls. 


 Hi- Arts Workshop

Raquel Almazan’s La Paloma Prisoner participated in Hi-ARTS’ Critical Breaks Residency with a FREE staged reading on May 23, 2017.  Directed by Estefania Fadul. Panel Discussion Unlocking Female Incarceration: A Panel Discussion Part III followed directly after the reading.

About Hi-ARTS

Hi-ARTS is a leading institution within the urban arts movement — developing and producing new works of performance and visual art, providing a platform for artists, and creating educational and community programs that connect and expand the audiences for urban arts.

 Queensboro Correctional Facility

La Paloma Prisoner (Impacted women series)

LPP – IWS – funded by the Arthur J. Harris Award – Columbia University, combines women who have experienced the criminal justice system alongside performers to engage with audiences with the themes of mass incarceration. On June 1st 2017 excerpts of the play were performed at Greenhope Services for Women as well Queensboro Correctional Facility in New York City; in collaboration with impacted women. Co – produced with Mightee Shero Productions. These unique readings were directed by Laura Gomez (who is a recurring actress on Orange is the New Black).

Co-produced with Mightee Shero Productions.

12901501_1180762448630943_5383132535921894728_o Poetic License Festival

On April 3, 2016 at Wild Project NYC the first installment of the reading series was staged.

IMG_1089 Panel Discussion: Unlocking Female Incarceration Part II

 Connecting the Dots: Intimate Partner Violence Prevention, Healing, and Advocacy Conference

Almazan participated as a panelist for the Mayors office (Department to Combat Domestic Violence) where she performed excerpts from La Paloma Prisoner and spoke to the process of working with survivors of domestic violence and being a survivor herself. In collaboration with Gibney Dance, Raquel also facilitated a break out session on the use of theatre, collage to create transformative solutions to domestic violence.


 Publication of excerpts from the La Paloma Prisoner play, as well as scholar analysis and interview in Rome, with Alessandro Clericuzio in Performing Gender and Violence in National and Transnational Contexts; Edited by Maria Anita Stefanelli; by L.E.D. Edizioni universitarie di Letterature Economia Diritto, Milano.

“Still our shells will sing strongly”, says a Mayan teller in Café. And through Almazan’s plays, through her beautifully crafted scenes, her love stories that are moving in spite of the sad and violent backgrounds, through her undeniable mastery of dramatic language in all its aspects, made up of hetereglossic texts that prove culturally disturbing, these shells do speak to mesmerized readers and audiences.” Alessandro Clericuzio, essayist addressing Almazan’s Latin is America play cycle.


La Paloma Prisoner (Colombia) is part of the LATIN IS AMERICA play cycle. This bi-lingual cycle of plays will ultimately have 33 parts, one for each of the countries and dependencies in Latin American.

“My major inspiration for La Paloma comes from my experience as an arts facilitator to incarcerated women at two maximum security prisons in South Florida. This play fuses years of activism in the field and continued work with incarcerated youth at Rikers Island prison in New York as well as the Chelsea detention center for women with Dream a Dream Project. Attendance in Bogota, Colombia at the Buen Pastor Prison for the Annual Celebration and Beauty Pageant. This piece is an offering of collective voices that illuminate the urgency towards ending mass incarceration.” – Raquel Almazan


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