La Paloma Prisoner- Signature Theatre: Photo by Bobby Plascencia.
- An excerpt from the La Paloma Prisoner play, analysis and interview with Alessandro Clericuzio in Performing Gender and Violence in National and Transnational Contexts; Edited by Maria Anita Stefanelli; published early 2017 by L.E.D. Edizioni universitarie di Letterature Economia Diritto, Milano. HERE
- Columbia University awarded this play the Arthur J. Harris Memorial Prize in social justice for prison and community center performances (Impacted Women Series for La Paloma Prisoner Project) – more HERE
- Celebrity Scoop interview HERE
- Paloma Media page HERE
LA PALOMA PRISONER (full length) Workshop production at The Signature Theatre off-Broadway directed by Charlotte Brathwaite. (Selected for World Theatre Day: Performing Gender and Violence in Contemporary National and Transnational Contexts Conference in Rome, Italy. Tre Roma University, Rome Italy reading) (Women’s Playwrights International Conference- Stockholm, Sweden) (The Lark Play Development Reading) (Labyrinth Theatre Intensive reading) (Staged Reading at La Mama ETC and INTAR). Critical Breaks Residency directed by Estefania Fadul (Hi-Arts).
La Paloma Prisoner is a multi-disciplinary play about the reclamation of identity by incarcerated women in the Colombian prison system. This new play centers on an incarcerated killer nicknamed “La Paloma” who transcendentally soars beyond physical and societal barriers to avenge the raped women of Bogota, leading the public to believe La Paloma may have magical avenger abilities. Based on the true story of a group of female inmates selected every year as beauty queen contestants at the Buen Pastor prison in Bogota, this new play interweaves the ritualistic journey of a “parade of prisoners” with Colombia’s social, political, and spiritual history. Claiming of this newfound power, the women redefine beauty, their own humanity, and their identity as criminals. La Paloma Prisoner revolutionizes not only the women’s lives, but prison society and the world beyond its walls.
“My major inspiration for La Paloma comes from my experience as an arts facilitator to incarcerated women at two maximum security prisons in South Florida. This play fuses years of activism and writing about marginalized women and continued work with incarcerated youth at Rikers Island prison in New York as well as the Chelsea detention center for women with Dream a Dream Project. Attendance in Bogota, Colombia at the Buen Pastor Prison for the Annual Celebration and Beauty Pageant.” – Raquel Almazan
LA PALOMA – Some say I can fly. On nights like these, I can. Me llamo La Paloma. They call me Paloma because I’m gentle and only want peace, flying to other dimensions. The bones of my wings sprout out from my ass, almost breaking my spinal cord every time. All those men I killed… I did it out of peace.
ALL WOMEN – I prayed in your churches, you sent me to hell. I listened to my mother and you fathered me like a dictator. You told me to dream big, duerma con los angelitos, and awakened me from my sleep with invisible hands choking my throat.
DIANA – Letters from our loved ones.
LA LOBA – The forever fight for FREEDOM. The death of thousands of citizens. We fight within ourselves to kill ourselves. Our civil war of modern progress.
ORO – Letters from those to be born.
ALL WOMEN – Y aqui estamos otra vez en la misma mierda. The same shit.
LA LOBA – Letters from the Dead.
MARILYNN – Si, Loba, this one is for you…
(Marilynn hands Loba a letter.)
LA LOBA -Yes from my son…