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Raquel Almazan 2024 Event Dates

UPCOMING NEXT!  

La Paloma Prisoner Project in association with La Lucha Arts and Sam Morreale, and in partnership with Chelsea Factory presents: La Paloma Prisoner

The La Paloma Prisoner Project is Raquel Almaƶán’s theatre initiative about the reclamation of identity by incarcerated and formerly incarcerated women, and sharing those stories through workshops, advocacy and community partnerships. Developed from her long standing work with incarcerated and impacted communities, the associated play, La Paloma Prisoner, directed by Estefanía Fadul, will have its Workshop Premiere at Chelsea Factory.

What: Raquel Almazán’s LA PALOMA PRISONER, directed by Estefanía Fadul

When: Dec 10th – 15th, 2024

Where: Chelsea Factory 

547 W 26th St

New York, NY 10001

How: Tickets @  https://www.chelseafactory.org/lapalomaprisoner

A multi-disciplinary play about the reclamation of identity by women in the Colombian prison system.

Social Media Pages:

LPP Facebook Page:https://www.facebook.com/lapalomaprisonerproject

LPP Instagram Page:https://www.instagram.com/lapalomaprisoner/

Performances run from Dec 10-15, 2024. Tickets will be available at Chelsea Factory site. To make an advance reservation for presentations and panels, please visit https://www.chelseafactory.org/lapalomaprisoner.

Daily pre-show ritual: Doors open at 6:30pm.

Panel discussion with decarceration advocates will be held post show evening of Friday Dec. 13th, 2024 (Panel discussion). 

 

About the project:

La Paloma Prisoner Project, developed across four countries for over a decade, is a series of initiatives aimed at raising awareness and inciting action towards the end of global mass incarceration. The project includes programs designed to uplift the voices and narratives of current and formerly incarcerated women-identified folx of color through performances/ workshops in prisons, conversation circles, and panel discussions. This play was developed alongside community partnerships with organizations dedicated to serving people impacted by the criminal justice system.

About the play:

La Paloma Prisoner is a multi-disciplinary play about the reclamation of identity by women in the Colombian prison system. Based on the true story of a group of incarcerated women selected as beauty queen contestants at the Buen Pastor prison in Bogotá, this new play interweaves the ritualistic journey of a “parade of prisoners” within Colombia’s social, political, and spiritual history. The play centers on an infamous woman nicknamed “La Paloma” who transcendentally soars beyond physical and societal barriers to avenge the raped women of Bogotá. Her actions revolutionize the women’s lives, Bogotá’s prison society, and the world beyond its walls.

 

La Paloma Prisoner Full Credit Listing (Creative and Production Team)

Playwright/Co-Producer: Raquel Almazán

Director: Estefanía Fadul

Producer: Sam Morreale

Music Composition: Lisette Santiago

Scenic Design: Raul Abrego

Costume Design: Haydee Zelideth

Lighting Design: Carolina Ortiz

Sound Design: Daniela Hart & UptownWorks

Butoh Movement Choreography: Vangeline Theatre

Song composer for “Vuela Paloma Vuela”: Julián Mesri

Fight & Intimacy Director: Lauren Kiele DeLeon

Production Stage Manager: Iván Dario Cano*

Community Engagement Director: Samara Gaev

Production Manager: Aislinn Ruth Curry

Social Media: Eva Pedriglieri

Key Art: Nathier Fernandez

Publicity: Blake Zidell and Associates

Cast: Raquel Almazan, Ana Sophia Colón, Yadira Correa*, Adriana Gaviria*, Gladys Pérez*, Sol Miranda*, Bobby Plasencia* and Monica Steuer*

 

MORE ABOUT LA PALOMA PRISONER HERE

 

2024 EVENTS

APRIL 29TH  @ 7PM- INDUSTRY READING

GODDESSES Return to the Temple by Raquel Almazan

Directed by Mei Ann Teo

Featuring cast members:

Jen Anaya

Monica Steuer

RESERVE YOUR FREE TICKET: https://www.flipcause.com/secure/cause_pdetails/MjA3MDQ2#

Inspired by the life of Nina Hartley and her autobiography, this thought-provoking piece delves into themes of femininity, power, and ancient wisdom. Set against the backdrop of the 30,000 BCE Venus of Willendorf statue, the narrative follows an asexual, single, Latinx/e middle-aged pregnant womxn as she embarks on a journey to rediscover the ancient ways of womxn’s powers. Please be advised that this play contains frequent adult language and openly explores sexual content.

 

MAY 9TH AND 10TH  – CONCERT READING

DQT Presents… is one of the Dramatic Question Theatre’s ongoing new play development programs, wherein featured playwrights receive a live concert reading of one of their plays-in-progress. This season’s featured playwright is Raquel Almazan and her play is LA ESPERANZA (THE HOPEFULNESS).

Directed by Gineiris Garcia

Original music is composed and performed: Dilson Hernandez

Language & Cultural Consultant: Yaissa Jiménez

Date: Thursday May 9th, 2024 @ Times: 3:00 pm & 7:00pm

Date: Friday May 10th @ Time: 7:00pm

Location: THE FLEA THEATRE (20 Thomas Street, New York, NY 10007)

PURCHASE TIX: https://www.eventbrite.com/e/la-esperanza-the-hopefulness-tickets-882943988237

Anna and Jaqueline, sister sex workers in the Dominican Republic, are stowaways in the hold of a cargo ship headed for France. While trapped in a box scenes from their past desperately emerge, but when these scenes take a dark turn, the lines between the real and the imaginary blur, family secrets are revealed, and Anna and Jaqueline are hurtled toward a future that threatens to be as bleak as their past.

La Esperanaza is part of the LATIN IS AMERICAN play cycle

Cast: *Maria Isabella Rojas, Merlixse Ventura, and Susanne Pinedo.

*Appears courtesy of Actors’ Equity Association.

 

2023 EVENTS

SEPTEMBER 6TH @ 7PM- COMMISSION READING

Live & in Color’s liveandincolor.org. cohort of 2023! We’re back at the Bingham Camp in Connecticut this September and will be developing “GODDESSES RETURN TO THE TEMPLE – FINAL INSTALLMENT OF A SEXTRILOGY” by Raquel Almazan directed by MeiAnnTeo.

Read more about the artists coming to the camp this fall on Broadwayworld article

www.broadwayworld.com/connecticut/article/Live-In-Colors-2023-Fall-Retreat-To-Develop-Raquel-Almazans-GODDESSES-RETURN-TO-THE-TEMPLE-And-A-New-Musical-2023

 

2022 EVENTS

AUGUST 4TH @ 2PM

La Paloma Prisoner  By Raquel Almazan

Directed by Estefania Fadul

Live scoring by Lisette Santiago

Movement by Ensemble

Join us for an (Open Rehearsal)

Featuring work-in-progress excerpts from the play as we conclude our workshop @ Chelsea Factory

RSVP via this LINK: https://ci.green.prod.ovationtix.com/36523/performance/11129224

 

JULY 25TH @ 7:30PM

ONLINE PANEL DISCUSSION ADDRESSING MOTHERHOOD’S INTERSECTION WITH THEATREMAKING.

Almazan opens up about her new role as a mother and how she is integrating motherhood with her theatremaking. BOOK TICKETS HERE:  https://irondale.org/on-women-festival/ 

 

 

Re-entering the theatre space with a Chelsea Factory residency: upcoming sharing Sunday February 6th @ 2pm. Join us! Free rsvp: https://ci.ovationtix.com/36523/performance/10983665?performanceId=10983665

 

Works in progress theatre sharing:

EL ODIO DE UN PAIS/ The Hate of a Country

(part of the Latin is American play cycle) by Raquel Almazan

Resident Chelsea Factory artist presentation

Date and Time: Sunday February 6th @ 2pm

House opens at 1:45pm.

Venue: Chelsea Factory 547 West 26th street New York, NY 10002

Ticketing: Free admission. Limited seating.

Social distanced seating. Proof of vaccination and mask required for entrance.

 

EL ODIO DE UN PAIS/ The Hate of a Country by Raquel Almazan

Directed by Gineiris Garcia

Original Sound and Music by Sinuhe Padilla Isunza

EL ODIO DE UN PAIS/ The Hate of a Country, explores the conditions of women through the dramatization of violence contrasted with the actions of healing and solidarity within female communities. Rape culture becomes personal Costa Rican mythology: A missing arm in the sugar cane fields, a mother and daughter climb the mango tree of dangerous memories in the jungle, imprisoned men swear their innocence to the Crimen de Colima. An autobiographical and biographical series of scenes that explore the mainstream history of Costa Rica from the perspective of family lineage. This play challenges the male and colonial gaze by revealing the destructive impact of oppression on the individual, positioned as a metonym for Costa Rica itself.

Stage Management: Martha Lorena Preve Ayora

Movement: Raquel Almazan and Vangeline Theater / New York Butoh Institute

Environment Design: Charlie Chauca

Featuring cast members:

Raquel Almazan

Carlos Andrickson

Yadira De La Riva

Santiago Andres Piña

Maribel Martinez

Mel Nieves

Daniela Thome

Efrén Olson-Sánchez

Lenny Urbaez

 

 

For information on attending Almazan’s performances and residency activities- CONTACT HERE.

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